Showing posts with label Writing by Van James. Show all posts
Showing posts with label Writing by Van James. Show all posts

Friday, April 28, 2017

Christopher Ritson: 2017 Honolulu Biennial Artist by Van James





Many people look at the Honolulu Waldorf School and think it's a kind of art school because so much art is offered. But the truth is that HWS has just as much focus on the math and sciences, languages and humanities as other schools (if not more), but it matches those subjects with many different artistic disciplines, providing a balance or counter weight to the academic school day. In fact, many of the HWS graduates go into fields completely unrelated to art; they just take a creative, can-do artistry to their choice of direction and career.

So it is a great pleasure when one of our alumni chooses a career in the highly competitive and unusually challenging world of Post-modern Art. Christopher Ritson (Class of 2004) is one of the 22 invited artists showing at the first Honolulu Biennial, between March 8 and May 8, 2017. This is quite a prestigious honor for this young artist.

However, Chris was something of an unlikely candidate for the art world when he was finishing high school. Although gifted at drawing and painting it was looking like he was going to be on a science track. His senior project was a large self-sustaining, eco-friendly aquarium, built from the ground up. But he decided to go to the San Francisco Art Institute and he became known for his unique blend of science and art. His artwork is actually more like freeform scientific research than an art project. And his present exhibit at the Biennial involves living organisms, or what he calls bio-generative artwork.

The Corallinales, Chris’ exhibit, can be described as living paintings growing in two aquarium tanks under artificial light. Coralline algae have been scraped from ocean trash collected from the Honolulu Harbor, Waikiki Beach, Diamond Head, and from the surf break where Ala Wai Canal, an artificial and controversial waterway, flows into the Pacific Ocean. The algae are placed in a supportive environment for the corallines to thrive on glass and plastic debris, allowing them to produce a range of red, pink, grey and mauve abstract images. Over the two months of the exhibition these coralline algae paintings will literally grow into pictures.

The senior class of HWS was fortunate enough to have a guided tour of The Hub, one of the Biennial’s several venues around town. Chris Ritson came in especially to talk to the Class of 2017 about his work. Every 9th grade studies the history of art up to the 17th century but it is in 12th grade that Modern and Post-modern Art are studied. So the Biennial visit fit right into the 12th grade’s curriculum and they got to see one Waldorf graduate’s path of uniting his interest in both the sciences and the arts.

It is interesting that Rudolf Steiner, the founder of Waldorf education, made the following prediction over a hundred years ago, right at the beginning of Modern Art, well before the advent of Post-modern, Conceptual Art: “I believe that the significant factor in … attempting to understand the concept of art, is that an art of the conceptual will come about in which the work and activity of ideation will be fulfilled with images, with reality, and that what now appears as dry science will in the future come closer to art.” The work of Chris Ritson certainly bears out this prediction.






Friday, July 19, 2013

New Book by Van James: Drawing with Hand, Head and Heart


LInk to the cover of the book

Drawing with Hand, Head, and Heart is a comprehensive and practical guide to the art of drawing
and to the process of visual thinking that is part of our full human intelligence. More than 500 illustrated
exercises and examples, collected and developed over many years of Waldorf classroom experience, show
teachers, parents, and students how to learn to draw simply and naturally, as a child would learn to draw.
The introduction examines contemporary research on brain development and its relationship to learning,
showing how the process of picture-making contributes to the development of visual thinking. An overview
follows of how children learn to draw, and how their visual intelligence can be engaged through age-appropriate
drawing exercises. Many useful examples of form drawing, portraiture, and geometric and perspective
drawing illustrate the art and science of drawing for students of all ages and ability levels. Van James also
provides samples of inspiring blackboard drawings and main lesson book pages for teachers and students, and
includes an informative appendix on therapeutic drawing, a bibliography of resources, and an index.


Tuesday, July 16, 2013

New Expanded Essay by Van James


Painting Problems: Making Aesthetic Sense of Colour

    by Van James


 Fig. 1. In kindergarten and pre-school children paint for the sheer enjoyment, without the need of a
structured painting “lesson.”

Have you ever heard the complaint, "Why do all the children's paintings look
the same?" If you've asked yourself this question after having viewed the work of
students in the lower grades of a Steiner-Waldorf school (the question rarely
arises with regard to the work of the upper grades) you're not alone. Why is it that
particularly in grades one through four the artistic work done in painting classes
often appears so similar, so uniform? And, is this a problem?

Friday, June 3, 2011

The Shamanic Influence in Art by Van James




Throughout history and across the planet, spiritual practices are revealed through the medium of art. Outside the structured doctrines of traditional religious practices stand the artistic-ritualistic expressions of indigenous spirituality or shamanism. From rhythmic drumming and decorative costuming to creative movement and symbolic imagery, the language of art bridges the inner and outer experiences of primal spirituality and mediates the existence between a divine-elemental and a material world. Even today the images of shamanic practices appear in the most unlikely places...

Saturday, May 21, 2011

The Aesthetic Logic of the Heart: Forming Heart Thinking by Van James




“The man who lives his life artistically has his brain in his heart.”—Oscar Wilde

Consider three different people’s thoughts on the subject of heart thinking. First; Dr. Paul Pearsall, American author of sixteen best selling self-help books says, “We're a brain culture as distinct from a heart culture. We want to quantify everything. If we can't weigh it and measure it objectively, it simply doesn't exist for us. The Hawaiians have always believed that it is through the heart that we know the truth. For them, the heart is as sentient as the brain. We find this same belief with the Hopi Indians in New Mexico, and with the Chinese; within many cultures the heart chakra is the key to healing."1...

Friday, April 29, 2011

Book Reviews: Spirit and Art by Van James


Spirit and Art: Pictures of the Transformation of Consciousness

by Van James Anthroposophic Press/SteinerBooks

300 pages and over 300 illustrations in b/w and color $30.- softcover. ISBN 0-88010-497-X, 2001, 2008

Searching for Forms that Speak: Reflections on Graphic Design by Van James


As a graphic artist I am challenged to develop designs that speak in the visual language of form, and these forms must communicate specific ideas, activities, and organizational principles through their brand.  Much like an architect I am often bound by the interests of a client to certain parameters that require design compromises.  At other times it is possible to have complete artistic freedom in evolving a theme and to be able to explore new directions.  Both possibilities can be equally challenging and rewarding...